![]() Where each setting is rich in historical significance, providing a meta-narrative to all the squabbling narratives that comprise 'Ulysses'. Where each character, event, setting, is subject to rigorous verbal deconstruction, so that they can seem to dissolve in front of our eyes, and put back in playfully different combinations or where whole episodes evolve from word games. ![]() Where each chapter is a parody, pastiche, interrogation of a whole host of literary styles and conventions, where almost every line is an allusion, crucially mutated, to literature, theology, philosophy, history etc. How do you film a book where each character exists in a narrative set on 16 June, 1904, but also corresponds parodically to Greek mythology. ![]() To adapt the words of some venerable Austrian nuns, how do you solve a problem like 'Ulysses'? Considered by most to be the greatest book of the 20th century, it is also, notoriously, one of its most difficult. ![]()
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